The design and construction of the Canada Pavilion at the Shanghai Expo 2010 (until October 31st) reflects Canadian values of inclusivity, sustainability, and creativity. This three-story structure is the product of collaboration between the Government of Canada and Cirque du Soleil, with building expertise from SNC Lavalin. The curved design creates a large public space that encourages interaction and a community feeling. An angled accessible ramp invites visitors beyond the interior courtyard into the pavilion. A 15 metre by 40 metre green wall of evergreen seedlings is a backdrop to the courtyard. In addition to illustrating a universal desire for green space in urban centres, the green wall also operates as a natural bio air filter. The exterior skin of the pavilion is composed of 4000 m2 of Canadian red cedar, certified by the Canada Wood Association and Canada Wood China. This is an important sustainable aspect of the design. The cedar boards are individually fastened to a steel frame, which allows easy dismantling so the wood can be reused in construction projects following Expo 2010. The Canada Pavilion public presentation offers visitors a feeling of life in a vibrant, diverse, and green Canadian city. Each individual experience is unique. Every journey through the Living City is personalised by visitors imagination and creativity, much the way urban lives are shaped by each individuals decisions and contributions to the city. The animation and interactive elements of the public presentation are complemented by music and a rich soundscape throughout.
As a thoughtful finale to the journey through the Living City, visitors are immersed in a unique cinematic experience created by Canadian film-maker, Jean-François Pouliot and the National Film Board of Canada on a 150-degree screen. Glimpses: A Human View of the Living City pays visual homage to an ordinary day in the life in a Canadian city. A panorama of images takes visitors on an incredible journey across four seasons. These Canadian moments were captured by Serge Clément and Claude-Simon Langlois, who travelled the country with a small crew in order to capture close to 57,000 unstaged images of people and places. The film evokes a personal story, unique to each viewer.